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Today, however, disabled performers are making a stand. They are claiming the right to both control their own narratives and to put on productions judged not by the context of their own life stories but on merit. "Our objective is to make the best art possible," says Gladwin. Back to Back's productions often do not focus on disability at all as a subject matter. As important is "that the actors are seen as professional artists and are paid for their work", says Gladwin. It is a cause that has been taken up by national lobbying body Arts Access Australia, which, in 2012, launched the campaign "Don't Play Us, Pay Us", which called for disabled characters to be played by disabled actors. Hollywood-style narratives, however, continue to tap into storylines of characters overcoming a disability to achieve great things - with characters often played by able-bodied actors. Talk of an individual's "success 'in spite of' their impairments" is common, wrote former Arts Access Australia chief Kate Larsen in an article for the Australian Broadcasting Corporation. Larson views such language as "disempowering" and, when it creeps out of scripts and into theatrical criticism, detrimental. Image copyright Bryony Jackson Image caption Heather Lawson (left) and Michelle Stevens in the multi-sensory show Imagined Touch "If every piece of work that features people with physician home equity loan Oak Laurel www.oaklaurel.com.au 0430129662 disability is patronised as being 'inspirational' and 'amazing'[even when it's not], it perpetuates the [incorrect] assumption that arts and disability work equates only to community, amateur or therapeutic art," she wrote.